I read a fantastic interview with Led Zeppelin member Robert Plant, conducted by Larry Rogers  in the Arizona Republic on July 16. The full interview is here.

Plant, who is coming to Arizona to play with Patty Griffin in advance of a new album dropping in September, described his current musical path.

Instead of touring under the legendary name Led Zeppelin, he chose Band of Joy. His reasoning:

Q: Why did you choose the name of a band from before Led Zeppelin for this project?

A: When I was a kid in the original Band of Joy, I wore my musical heart on my sleeve, and I really kicked ass, and that’s kind of how I teamed up with Jimmy Page back then.  I stepped out of the rank and file of performers.

I’ve kept my vision of what . . . Led Zeppelin was, from album to album, in everything I’ve tried to do before, during and after that big time in my life.  So when I got to playing with Buddy on the Alison Krauss tour, I began formulating an idea of going back to how liberated I felt when I was 17, 18, 19 years old.

He also talks about his musical inspiration:

Question: What is it about American roots and folk music, much of which has its foundation in the British Isles, that appeals to you?

Answer: Hill music, whether you’re in Bulgaria, Wales, Scotland, Tennessee, there seems to be something about the altitude that keeps the music rarefied, like the air up there.

You can hear beautiful refrains and scales, which in some places are almost locked away like treasure from times gone by. I hear . . . the remnants of what this island had to offer many, many years ago, before Tin Pan Alley arrived.

I hear its ricochet through the southern states of America. It’s plaintive and touches a great place for me, a kind of nerve which inspired me and (guitarist) Jimmy Page when we wrote bits of “Led Zeppelin III” and we were touching on “Babe I’m Gonna Leave You” on “Zeppelin I.”

I never thought about Hill music. I do now.

Here is what I learned from his example that applies to all of you, once you get rich and famous:

  • Never lose touch with the root of your passion
    “When I was a kid in the original Band of Joy, I wore my musical heart on my sleeve, and I really kicked ass, and that’s kind of how I teamed up with Jimmy Page back then. I stepped out of the rank and file of performers.”
    How powerful to recognize the conditions that caused your success! So instead of trying to write a song that sold a million records (or a book that sold a million copies, or a website that got a million hits), look to feed the conditions and feelings that inspired you to create a kick-ass piece of work.
  • Make decisions based on what the art needs, not what makes you look good
    Plant said: “Some old friend of mine, if you like (Rod Stewart), called an album “The Great American Songbook.” (Laughs) Well, that was “The Great American Schmaltz,” really.”Is there anything more sad than a rock legend pitching a soft drink (sorry Gene Simmons)? Or creating an album just because it could sell? Everyone has to eat, but if you are not a starving artist, trust your sensibility for what makes great art and use it to make creative decisions.
  • Don’t try to squash the next generation for fear they will eclipse you. Instead, find them, learn from them, and use your reach to get them more exposure.
    Asked about why he chose Patty Griffin to work with, he said: “I asked Emmylou (Harris) what was really happening on the American female-vocal scene, and she immediately referred to Patty.”Looking for the best in your field, even if they are younger than you and exceptionally talented, will strengthen your game, not weaken it. Being around talented people pushes you to grow. Don’t surround yourself with people who remind you of how great you once were.

So often, those who finally attain fame, wealth or exposure try to desperately hold on to what they have. It is a losing battle. Crazy luck, perfect timing and divine intervention combines with hard work to deliver breakout success.

Real success comes from feeling joy in the process of creation.

by PAMELA SLIM on JULY 19, 2010

http://www.escapefromcubiclenation.com/2010/07/19/how-not-to-get-old-jealous-and-bitter-once-you-are-famous/

Posted by: patrickmccomas | July 28, 2010

Small Towns-Large Towns

Musicians are constantly looking for a new niche, audience, or venue.  Finding the right gig can be a very competitive and exhausting effort.  Developing the right marketing package, exchanging it with event managers and booking agents.  In the past, I just wanted to land a gig concerning location, event, size and name.  It took me a few years to notice how different cities had followings for various genres of music.  Even more difficult was the sub-districts of larger cities I had never played before.  I would play the show of a lifetime, only to notice people filtering in and out of the show.  Then noticing that they were walking the block, which had great Blues, Jazz, Hip-Hop, Rock, Experimental Indie, and Irish bands within a few blocks radius.  I really couldn’t be upset, because I’ve often done the same thing when I’ve gone out for the evening.

As the tours would continue, I would find myself in really small towns along the way to perform in-between the larger cities.  Although I’ve always felt fortunate to perform at any venue, something always stood out about my audiences in smaller towns.  During the 1990′s Seattle Grunge explosion, hundreds of bands flooded into Seattle and the Northwest looking for that opportunity to shine.  I was another person who followed the saturated scene right into the Northwest.  I believed the bigger the city, the better the opportunity, the more people that might listen.

It wasn’t until I ended up in a really small town called Aztec, NM that things started to click.  I’m pretty sure the whole town was in attendance at the local Mexican Restaurant we performed at.  The best part was not only did the owners of the restaurant also own a nice hotel, every band member ended up with their own room to stay that night.  Even more miraculous was that nearly all 200 people that made it down the street that night purchased a CD, and everyone was so appreciative we decided to make our way into town.  I can recall nights in the big city, where 1,000 people would be in attendance, and we maybe sold 20 CDs.  From my travels, I found that playing to a smaller audience can lead to a more personal connection, and not everything is built in the masses.  My point is, it only takes one person in todays modern world to recognize you in the right place – at the right time.  Believe it or not, people in small towns also have the internet and access to social networks. Don’t pass up the opportunity to play in a place like Durango, Telluride, Fort Collins, Boulder, CO – or Aztec, NM on your way to Salt Lake or Denver.  I can’t express how many great musicians and people I have met along those trails.  Playing in big cities is great, but nothing will ever beat the fresh air and hospitality of those small Southwestern places.

Posted by: patrickmccomas | July 28, 2010

Why becoming an independent musician is easier than ever before.

The music industry is constantly evolving and changing dramatically.  In the past ten years technology has taken everyone through a learning curve.  Just when you thought you understood how to use a digital recording device, it was replaced by another.  Then youtube and social media hit like a ton of bricks.

This whole process was very overwhelming in the beginning, but lately it is all coming together.  Even larger music acts, such as Radiohead have decided to avoid major record labels, because they could network for themselves.  Through social media channels, you can create connections for gigs, encourage people to listen, discover other artists, benefit from instruction, and continue to learn about things you didn’t know before.

If you have material and a solid foundation, social media delivers endless outlets to connect with your listeners.  Although the steps to making your ideas come to life have transformed, the opportunity to reach others is infinite.

Posted by: patrickmccomas | July 23, 2010

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